Smashwords Founder Mark Coker on How the Ebook Revolution will Transform Writer Careers

Smashwords founder Mark Coker, a visionary pioneer in the field of ebooks and the revolution in self-publishing, shared a presentation he gave recently covering his thoughts on how ebooks will transform the careers of writers. Have a look.

How the Ebook Revolution will Transform Writer Careers – 10 Big Trends that Will Shape the Future of Book Publishing from Smashwords, Inc.


More info here.

My company, Caroline Street Press, has used Smashwords as distributor for four ebooks to date, with several more on the way. I like the Smashwords model for distribution. Even though Amazon refuses to participate, Smashwords ensures our ebooks are offered on Barnes & Noble, Diesel, iBookstore, Sony, Kobo, and many more. If you’re thinking of taking the plunge into ebook publishing, we can help–and we will certainly recommend Smashwords as part of your marketing and distribution plan.

What do you think?

AlexanderG PR Adds Publishing Consultation Services to Menu

The latest title from Caroline Street Press.

A rising demand for help in getting independently-authored books and ebooks to market led Kansas City PR firm AlexanderG Public Relations to offer independent book publishing consultation.

“Since word has spread about my own books, I’ve have had many inquiries from independent writers asking for advice on ebooks, print-on-demand (POD) and independent publishing in general,” said AlexanderG Public Relations owner Alex Greenwood.

Writing as J. Alexander Greenwood, he is an independent novelist with several ebook and print-on-demand titles. An early adopter and advocate of ebooks, he was recently keynote presenter at a Kansas City Public Library event about his writing and indie publishing.

“In response to the interest from writers, we created Caroline Street Press, LLC. Caroline Street is a publisher of independent fiction, nonfiction and multimedia works,” he said. “Caroline Street works with AlexanderG PR as consultants helping independent writers get their books to market.”

“Our primary focus is consulting on the editing, production and packaging of ebooks and print-on-demand paperbacks,” he added. “Though Caroline Street is a publishing imprint, we do not pay advances or provide printing services. Instead, we guide writers through the independent book publishing process and help them market their work. Whatever they need–editing to cover art, formatting to distribution, marketing to public relations–we can help.”

“At Caroline Street, our aim is to use my experience and network of artists, editors, book formatters and distributors to help independent authors publish the best possible work,” Greenwood said.

The demand is palpable.

“According to the Association of American Publishers, E-books grew a dramatic +164.8 percent in December 2010 vs the previous year ($49.5 Million vs $18.7M),” he said. “E-book sales represented 8.32 percent of the trade book market in 2010 vs 3.20 percent the previous year. A huge chunk of those are independent, non-traditionally published titles–called ‘indies’ by many. There are a sizable number of new and even established writers who need help navigating the steps to get their books out there.

Consulting services are project fee-based.

“We don’t take a percentage of sales like a traditional publisher,” Greenwood said. “We help authors prepare their books ready for publication, get them launched and if the authors wish, create and enact a marketing and promotion campaign. We offer three pricing plans.”

Greenwood added that in his 20-year career in public relations, he has a proven track record of successful promotion and marketing of books, music and entertainers. He also has experience as a reporter, newspaper editor, columnist, blogger and magazine editor.

Caroline Street Press is publisher of two indie novels, Pilate’s Cross and Pilate’s Key (and the forthcoming Pilate’s Ghost) by Greenwood. Caroline Street also publishes short stories, including the award-winning short-story Obsidian. The company is currently working on two business books and is consulting with several aspiring authors.

For more information, email Caroline Street Press here.

Founded in 2010. AlexanderG Public Relations has one of the most diverse portfolios of experience and success in the Kansas City area. We’ve spent our careers building a knowledge base that spans several industries and disciplines including healthcare marketing and management, higher education marketing and public relations, broadcasting, publishing, non-profit communications, news media and more.

As a member of PRConsultants Group, we also have associates in every major media market in the United States. Work with us and you get “big agency” service with the affordability of a boutique firm.

Our past and present clients include local, regional and national retailers, organizations, associations, universities and individuals including Tide, Duracell, The Limited, Blockbuster Video, the University of Kansas School of Business, Front Porch Alliance of Kansas City, Community Christian Church of Kansas City, I.O. Metro Furniture Stores, EcoHab and many more.

Will Literary Agents Write the Next Chapter of the Ebook Revolution?

Check out Smashwords founder Mark Coker’s presentation on what he sees as the “next chapter” in the ebook revolution–literary agents “changing horses.”

Not sure if I totally agree it will go exactly this way, but it’s good food for thought for you indie authors out there (yes, like me).

Writing and Publishing Your Own Book

Check out this interview I did with the Kansas City NBC affiliate about the road I took to independently publishing my novel, Pilate’s Cross. The reporter had read an earlier blog post about my decision and thought it would make a nice story. I think he did a great job and thought you might enjoy watching it–whether you’re into marketing, writing, ebooks, mystery thrillers or just PR guys with very small offices.

I’ve enjoyed writing and marketing my book. Several book clubs have read it and it has received generally favorable reviews. As I work on the sequel and other writing projects (when work and life allows) it’s really gratifying. Sales have been okay (I had a book signing in Omaha–what a blast!), and though I may not be getting rich I’m having a great time.

So to all you “Someday I’d like to write a book” folks out there…there’s never been a better time to do it and actually have a shot at getting your work in the hands of potential fans. Go for it.

On the Gathering Storm of Indie Publishing with Author Jason McIntyre

It’s no secret that independent (indie) publishing is hot these days, particularly because of the rise of ebooks. We were curious about the success of an indie author who, just under a year into publishing his first ebook, has had more than 33,000 downloads of his work. Jason McIntyre, author of several stories and books including  On the Gathering Storm and the hot new novel Thalo Blue sits down with us for a brief interview about what he does, how he got started and his strategy for reaching an audience.

AlexanderG Whiz Blog: Who are you, anyway?

Jason McIntyre: I’m Jason McIntyre, author, goofball and private investigator. Okay, I’m not a private investigator. I do all my investigating right out in public view. I’ve been writing stories, making things up, and telling people things close to the truth for about twelve years. I’ve lived all across North America, primarily in urban settings where I’ve met loads of interesting people. When I started writing novels inspired by these interesting folks, I found a new way to communicate with people that seemed to touch them in a very personal way. I also discovered it was a satisfying way to deal with issues in my own life. I write about people I bet you know: whether its someone you went to school with or someone in the next office, or your own children. My goal with the stories I tell is to entertain but also reveal human nature in a way that sparks the imagination of readers.

AlexanderG Whiz Blog: You have a background as an editor, writer and communications professional and spent several years as a graphic designer and commercial artist. How do you make a living now?

Jason McIntyre: I continue to work in all those areas. Add website and online manager to that list. Photographer, and project manager go in there too, as I’ve done those things in the last five or so years. I only mention the editing and communications in my ‘about’ pages on the web because it relates more directly to the world of writing and marketing of fiction books, for which I’m getting more well-known.

AlexanderG Whiz Blog: When did you decide to become a professional writer?

Jason McIntyre: Tricky question because we need to define ‘professional’. If it means that I make my living primarily as a writer, then I’m not yet professional. If it means I have a lick of sense and know that most writers will never generate all their income from writing, then I’ve been at the pro level for a number of years. If we’re talking about how long I’ve been sharing my work with readers then I can definitively say it’s been about ten months. I started actively marketing my work about eight or nine months ago, in the late summer of 2010.

AlexanderG Whiz Blog: What led you to being an indie author–did you try the “traditional” route?

Jason McIntyre: As mentioned, I’ve been writing for a long time, going to writers’ groups and honing my craft. Erroneously, I always thought that if you write a good book then publishers would want it, then readers would buy it and read it and either like it or loathe it. What I was hearing is, “Jason, you tell a mean story. You really understand how to engage the reader and get me excited. What I’m not seeing here is a clear-cut way to sell this book in a book store. You don’t stick to one genre and your characters aren’t always perfectly likable. I’m afraid we’re going to pass.”

I knew that readers would connect with my work but it wasn’t until last year when the iPad was introduced that I realized a writer like me could establish a connection with an audience on my own terms and with my own energies. I could do the editing, proofing, design and distribution in a grass roots way and use social media to get the word out. It began as an experiment of sorts and I found a decent footing so I continued. First I was a bestseller at a book distribution site called Smashwords.com and then, in October of 2010, I shared a couple books on Amazon’s Kindle, currently the biggest distributor of ebooks. Now my books are available on all the major ebook sites and selling well.

AlexanderG Whiz Blog: You enjoy a robust fan base. You have a great website. What do you do to market your work?

Jason McIntyre: The biggest thing I do for marketing is one-on-one communication with readers. I use Twitter and Facebook and Goodreads to connect with people I believe will have an interest in what I’m writing, then I offer discounted copies and discuss the books directly with them. After years of hearing other authors and agents and publishers telling me what I was doing wrong, it’s a breath of fresh air to hear directly from a reader who has had heart palpitations from reading a particularly engrossing scene or chapter. They are the audience. I believe in letting them decide what’s good and what isn’t. For the most part, I’ve found tremendous enjoyment in interacting on such a close level with these readers. They’ve made short stories better when I’ve offered them beta copies to read and told me that an idea sucks when it actually did. Generally, they get very excited over small discounts, free copies, and especially advanced access to a story as I’m working on it. You can’t pay for the kind of publicity you get from a genuinely interested reader who tweets or brags about a book they liked.

AlexanderG Whiz Blog: What is your biggest challenge when it comes to getting the word out about your novels?

Jason McIntyre: Finding readers as opposed to other writers who also read is a big challenge. Don’t get me wrong, the writers’ communities on the net are a joy and a value in terms of camaraderie, spirit, knowledge and help. But readers are harder to come by. Generally, they are living their lives, reading books, going to their jobs and spending their social media time with their friends and families and coworkers. Their goal isn’t to help you by reviewing or advertising your book. You can’t hit them over the head with a sales pitch or they will bolt. (Have we mentioned he has a great blog? It’s called The Farthest Reaches. Check it.)

AlexanderG Whiz Blog: In what format is your work available–is it strictly ebook? If so, why not Print On Demand (POD)?

Jason McIntyre: I had some really strong success in the first five months offering my books as e-only. As of today, I’ve seen close to 33,000 downloads of my various stories. My approach is tied to various things I’ve gleaned from the Internet through the work of other authors and small publishers. Their recommendation is to build a platform first and then launch books.

Of course, I didn’t do that. Being fresh off the boat, as it were, I did things backwards. But what I learned quickly is that I actually am building a platform of readers, fans, other writers, bloggers and book sellers. I look at it this way: this first ten months is part of the building. Yes, some of my stories are available, but that doesn’t preclude me from doing a major book launch and offering them in print format in the future.

AlexanderG Whiz Blog: What do you see as the future of publishing–in particular indie authors–is it a fad, or do you see it as a sea change in the way people get their books?

Jason McIntyre: Tied to my previous answer, I honestly think that print books are on their way out as a mainstream consumer product. Yes, print books will remain in production for years to come. No one can argue with their aesthetic appeal.

By the same token, records and record players are still being produced but you won’t find them on iTunes or Amazon (actually, you probably can buy both the records and the players through Amazon’s mail order side). But music is becoming an increasingly ‘soft’ medium. You download it, consume it, and either throw it out or store it in something other than a CD tower or cassette holder (sheesh, remember all those plastic and film cassettes?). Same deal with commercial films. DVD rental places are becoming farther between, aren’t they?

Books will go the same way. Digital or soft, supplied through the web for ninety per cent of people who procure them. Printed books will slowly (or quickly) become a niche product for collectors and those reluctant to switch over. Electronic book readers will continue to drop in price. Multi-use items like tablets, the iPad, and smart phones will continue to develop.

AlexanderG Whiz Blog: So, what’s it all about, Jason? What’s your dream?

Jason McIntyre: My dream? To keep at it. I’ll keep writing and sharing stories until enough people shout at me to stop. I’ve had some successes and some good fortune and I just use this as an excuse to keep telling the stories that pop into my head. Is it a struggle? Sure it is. Will I get rich doing it? Not a chance.

Is my goal to sell a million copies of something? Not specifically, because I don’t vest a lot of interest in numbers or dollars as long as I have enough to feed the kiddos, but I’d love to know that, somewhere, some time, there are readers who are getting something valuable from something I wrote. If it was ten times or a hundred times as many as there are today, I would feel so blessed and proud. But then I’d sit down to write the next story for that group of people. If they want it, I want to give it to them.

AlexanderG Whiz Blog: Anything we missed you’d like to talk about?

Jason McIntyre: A big thank you to Alex Greenwood for giving me a moment in the sun here on his blog. Thanks, mate. I’ve met a lot of super generous writers just like Alex –plus bloggers and readers– in my last ten months on this train. It’s folks like Alex who’ve shared the seat next to them that allow each of us to find a destination. My thoughts echo some others: we’ll get there faster if we all feed the same locomotive. Just something to think about: an avid reader with a few dollars’ room on his credit card will just as easily buy all of Alex’s novels in addition to mine if both appeal to him. Alex’s sales rarely come at the expense of my own.

Thanks for reading, everyone!

AlexanderG Whiz Blog: Thank you, Jason!

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You can easily tell that Jason is a great guy who will have no trouble engaging an audience. His writing is superb, as well. Here’s my review of On the Gathering Storm:

Jason McIntyre possesses the most rare of gifts: the guts to open himself up completely combined with the ability to get it on the page. “On the Gathering Storm” fearlessly engages the reader with lush depictions of acts of cruelty, daily life and yes, horror. Perhaps most interesting, however, are the vulnerabilities of the characters–fully on view and intertwined with their determination to survive the trap in which they’ve been ensnared. I won’t make the easy comparison to other great thriller writers–McIntyre’s his own writer, one I’m delighted to read.

–Alex Greenwood

Disclosure: Mr. McIntyre is not a client of AlexanderG Public Relations.

Midlister Dreams in the Age of Ebooks and POD

My grandfather was a midlister. Sean McLachlan aptly describes this devoted breed of writer:

They’re not rich, they’re not famous, but they make their living by writing and they’re responsible for the majority of all published titles. They’re called midlisters, and they keep the publishing industry running.

[…]

They’re the serious professionals whom publishers rely on to produce good, marketable books year after year, spanning all genres from nonfiction to fantasy to romance to young adult. They’ve moved beyond the small press to win regular paying contracts, but they do not have bestsellers. They often work a variety of writing jobs in addition to their books, including mentoring, magazine articles, and copyediting.

My grandfather wrote historical fiction, specifically Westerns. A Michigan boy who saw combat in the South Pacific during W.W. II, his true love was the Old West–which was fed by his posting in Oklahoma as a base historian for the Air Force. He won an award here and there and was published by respected imprints including Tor, Avalon and Manor. As far as I know (and sadly he’s no longer around to ask) he never made a huge amount of money on any of his dozens of books and short stories. He wrote because he loved telling stories.

Starting in the pulp cowboy field, as the years went on his work earned respect and praise for historical accuracy and reader-friendliness. He was inducted into the Oklahoma Professional Writers Hall of Fame a few years before his death.

I learned from him some things you can learn from any true professional writer: read a lot, write every day, edit, edit, edit and most importantly: don’t quit.

As a child I was once startled to see my grandfather seated at a card table at a Waldenbooks in the mall. Next to a small sign that read “Meet the Author” set a small stack of his latest book. He seemed to be doing some sort of lonely after school detention for grownups.

“Whatcha doing Rob?” I asked him (I called him “Rob” or “Grandpa Rob,” but mostly “Rob”).

He smiled. “Just sitting here with my books.”

“Why?”

“Trying to sell a few,” he said, ever patient at my interrogation. I don’t think he sold a whole lot that day, if I remember correctly. But he seemed happy to be there.

In retrospect, I wanted to be there, too. Still do.

When I finally became serious about writing a book five years ago, I put a lot of my grandfather’s lessons about discipline to work. I worked on my novel for two years. To borrow an analogy, I put the clay on the table and sculpted and re-sculpted it until I had the best sculpture I could make.

Then the hard part: finding an agent. I toiled in the mines of writing good query letters and researching the right agents. I earned roughly enough rejection letters (and email) to literally wallpaper my office (“nice, but too short” “I liked it, but you need to chop at least 40 pages of exposition” “You write well but we no longer represent thrillers” …ad nauseum). A half dozen agents asked to read a few chapters; another three asked for “partials,” which is roughly half the book.  Two agents thrilled me by requesting a “full”–the entire manuscript.

One agent said she thought it had potential but didn’t like my narrative voice. If you ask me that’s pretty similar to a girl saying she likes you but not the way you kiss. But that’s okay–either you turn her on or you don’t.

The other agent said she really liked the book but the way the industry was going it didn’t look like something she could rep successfully. I got it. This was 2008–the economy was on the brink of a very large, unforgiving crater. Most publishers were simply not going to take a chance on an unknown newbie’s solid (but probably not blockbuster material) thriller.

At this point, after spending two years writing the book and another two trying to sell it, I was defeated. The book–my best manuscript ever– was going to cozy up to the mediocre and terrible attempts from my youth in a despised cardboard box in the basement.

I felt I was abandoning a beloved pet. I loved these characters. This story was part of me. The book is good, damn it! So, half-seriously I surfed the net to check out the self-publishing options. Nothing felt right until one day I stumbled across Smashwords, which has become the gold standard of indie e-publishing. Sure, my book wouldn’t be an actual, “physical” book, but it would be out there. People with ereaders could follow my hero’s misadventures. Why not? Beats the box.

After formatting and editing the book once more and having the extraordinary good fortune of snagging a fantastic book cover by the talented David Terrill, my orphan thriller was now a bouncing baby ebook.

It sold pretty well (as in way better than I expected), so I commissioned a print-on-demand (POD) paperback in late 2010. The  paperback is now a selection of two three four local book clubs and available on Amazon, Barnes and Noble and at least one brick and mortar bookstore.

Despite nice reviews, I often get the old “don’t quit your day job” look. One friend dropped the big one on me, saying (not unkindly) “But won’t this self-published thing ruin your chances at a real publishing contract?”

And boom…there it was. I can call myself an “indie author” all I want, but there are still those who will always equate me with self-published hackdom because I didn’t wait my turn. I picked myself, as Seth Godin would say. I shot the gatekeepers the bird.

I can’t look back now. I am what I am–self-published. There are of course stories of self-published authors who beat the odds and made it big, including the ebook sensation Amanda Hocking.  I need to write a hell of a lot more books (with a broader market appeal) to aspire to even a tenth of that level of success.  However, the success of indies like Hocking make it a little more acceptable to go your own way. Hell, J.A. Konrath has more or less stated that he’s done with big publishing houses.

I muse about what Grandpa Rob would think of all this. I have to think he would have counseled me to stick with the traditional route–no matter how long it took–at first. But knowing him he would’ve made his own out-of-print stuff into ebooks and seen firsthand that the times had changed. At least I hope so.

Would I take an offer from a “big” publisher now? I’m not making huge money–not even worthy of the title of “indie midlister” yet–but I do have freedom and get to keep far more of my book profits than I would with a publisher. Yet…the thought that I shot myself in the foot tasks me.

I get some comfort when I think of a scene from The Late Shift, a book and film about the “Late Night Wars” when Leno and Letterman battled it out to succeed Johnny Carson on “The Tonight Show:”

One of the more fascinating details is when NBC offers Letterman the “Tonight Show” in a few years, which is the same strategy that NBC did with O’Brien to keep him around. Letterman is obsessed with the prestige of getting the “Tonight Show,” but as a friend tells him sadly, “They are not offering you the Johnny Carson ‘Tonight Show’. It’s gone forever. They’re offering you damaged goods. They’re offering you the Jay Leno show…it’s leftovers, it’s shoddy.” (source: RaisetheHammer.org)

Is that the case with big publishing now? I don’t know. Is a major publishing contract “shoddy goods?” I hope not,  but I do know it’s not my grandfather’s publishing industry. It’s just not the same show anymore.

I’m doing my first book signing May 14. Like Grandpa Rob, I’ll be manning a card table–chatting with whoever will listen about the beloved characters I refused to abandon. I may even sell a book or two. Perhaps it will help me become a midlister someday.

I should be so lucky.

***

UPDATE: Turning down a half million dollars in favor of self publishing? Really?

Did I Build Facebook Fans with My Contest?

If you read my last post, you know I instituted a Trivia Contest on my novel’s Facebook page to:

* Generate buzz about the book

* Add new fans to the book’s Facebook page

* Add new readers by getting people to download a free sample of the ebook

* Sell books by converting sample readers into buyers of the entire ebook or paperback

Without repeating the whole blog post, I’ll get to the results, goal by goal, after the three-day contest (which was promoted on Facebook, Twitter and Google Buzz):

Goal: Generate buzz about the book

Results: Well, my Facebook Page Insights showed two new subscribers (far short of my goal of 10 new “fans”) but views and feedback were up approx. 50% and 60%, respectively. Not bad.

Goal: Add new readers by getting people to download a free sample of the ebook

Results: Six samples downloaded in three days. Again, not bad!

Goal: Sell books by converting sample readers into buyers of the entire ebook or paperback

Results: Eight ebooks sold! Though I cannot definitively ascribe these sales directly to the contest it’s still very encouraging.

Also, I only had a small number of people enter the contest–and I understand why: it was labor intensive! To enter you had to become a Facebook “fan” of the book, then you had to answer three trivia questions which could only be answered by downloading a free sample of the book and reading it–in less than three days. All that considered, I think this promotion was a qualified success. There was buzz, I sold a few copies–and I certainly look forward to autographing those prize winners’ paperbacks.

Any thoughts? Have you done a similar contest? Any suggestions for doing it better?

Build Facebook Fans Through Contests?

Even casual readers of this blog probably know that I’ve written an independently-produced novel (in ebook and paperback form). One of the toughest challenges of any author--indie or traditionally-published–is marketing. Fortunately, Twitter, Facebook and other social media are incredibly easy-to-use, low-cost engines to get your book message out.

However, those channels of distribution are still rife with commercial clutter, distracting chatter and spam. Finding a way to get people’s attention is key. To break through, I wanted to try a tactic to achieve four goals:

* Generate buzz about the book

* Add new fans to the book’s Facebook page

* Add new readers by getting people to download a free sample of the ebook

* Sell books by converting sample readers into buyers of the entire ebook or paperback

So I created a Pilate’s Cross Trivia Contest.

The rules I set include:

Contest entrants have to be a member of the Pilate’s Cross Facebook page community
Members will be given three trivia questions about the book and/or author on Friday, Jan. 7 2011.
To play, entrants must email me (not post on Facebook!) the answers by 6 p.m. CST Sunday Jan. 9, 2011 to author (at) pilatescross.com.
I’ll print out and conduct a drawing from the correct answers received (and cross reference to ensure entrants are a member of the Pilate’s Cross Facebook community) to determine the winners.
To find the answers, entrants simply need to go to http://www.smashwords.com/books/view/6806 and download the first 30% of the book FREE. It takes only a minute to register and get the download–which can be read on any ereader or even the very computer they’re reading this contest rules on–just select the “Online Reading” download option. All trivia questions may be answered by downloading (and yes, reading) the sample.

So if entrants go through all this hullabaloo, besides reading 30% of a fun little thriller novel, here’s what they may win:

Third Prize: Code for HALF OFF Download of the Pilate’s Cross ebook–available from Smashwords in any ereader format!

Second Prize: Download of the Pilate’s Cross ebook–available from Smashwords in any ereader forma

First Prize: Copy of the paperback version of Pilate’s Cross –autographed by the author!

GRAND PRIZE: Copy of the paperback version of Pilate’s Cross autographed by the author AND cover Illustrator David A. Terrill! PLUS a FREE Download of the ebook–available from Smashwords in any ereader format!

I’m using Twitter, Facebook, and Google Buzz to invite people to participate.

At this writing (roughly halfway through the contest), we have a few new Facebook fans, book sample downloads and a couple of entries. I’ll report back to let you know how it goes. Of course, you’re welcome to enter the contest, too!

Interested in learning more about the book? Check out this quick book trailer (another excellent viral marketing tool for books!):

Season’s Greetings & Best Wishes for the New Year

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We’ve had a great first year at AlexanderG Public Relations. 2010 has been a year of challenge, but also one of triumph. We want to help you succeed in the New Year–so please keep us in mind for your public relations, marketing and business management consulting needs.

What’s Being Said About Your Company Online?


We received some nice amplification of Alex’s recent interview with the Spiral16 blog:

You’re going to be hearing more about this as we get further into the social media age, but Alex Greenwood outlines the case for monitoring social media as a means of growing a business or other organization and protecting its interests. Isn’t that what PR is about?

Alex Greenwood likens social media monitoring to being out in the hallway, say, the Internet, listening to the talk there. How do you know your organization’s name will come up? You don’t until it does, or a reporter calls. But even if your organization doesn’t come up for a while, the names of competitors, or the emergence of new business conditions, will be generating buzz. If you’re listening, you’ll be gaining valuable new business intelligence.

“Companies and organizations that monitor the social media space today – and use the data to address problems and opportunities –are years ahead of the game,” Greenwood believes. “Aha,” he adds, “a competitive edge. Who doesn’t like that?”
Read the rest here.



Looking for a Good Read This Holiday Season?

Our gift to you (or the avid reader in your life): save 15% on Alex Greenwood’s novel Pilate’s Cross. Just click here to order and use code RESOLUTION305 at checkout. The book has received some nice coverage on NPR and other media outlets. If you have a Kindle, iPad, Nook or other ereader, you can purchase the ebook version in any format here. We hope you’ll check it out!

Keep in Touch in 2011

As the hours of this year grow short, we’ll close with an invitation to visit our website to sign up for new posts from our AlexanderG Whiz Blog. We’re also on Facebook, LinkedIn and Twitter–so whatever way you prefer to stay in touch, we hope you’ll connect!

Again, though 2010 was challenging in many ways for us all, we believe 2011 holds the potential for triumph. We stand ready to be part of the team that gets you there.

Peace on Earth!

Shoot the Gatekeepers!

Check out my guest post on @ShellyKramer’s V3 Blog for my take on being true to your work.

“…if your work is something you truly believe has everything it takes except the approval of some random gatekeeper, then here’s what you do: Shoot that gatekeeper (the bird).”